
A riverboat captain travels into the African Congo to find a rogue ivory trader and confronts colonialism's brutal reality.
Quick Answer: Heart of Darkness follows Marlow, a steamboat captain who journeys up the Congo River to retrieve Kurtz, a Company agent who has become a brutal god-figure in the African interior. Through this journey deeper into the jungle, Conrad exposes European imperialism as violent exploitation disguised as civilization, revealing that the true "heart of darkness" resides not in Africa but in colonialism itself. Kurtz—the most cultured European—becomes the most savage, proving that removing social restraints reveals barbarism beneath civilization's veneer.
Kurtz's dying words—'The horror! The horror!'—represent his recognition of what he's become, what imperialism produces, or the darkness in human nature. Deliberately ambiguous and devastatingly famous.
The protagonist who captains a steamboat up the Congo River to retrieve Kurtz. Through his journey, he witnesses colonialism's brutality and becomes disillusioned with European imperialism's civilizing claims.
European imperialism and colonialism, especially Belgian exploitation of the Congo. He exposes the 'civilizing mission' as hypocritical mask for violent resource extraction and shows colonialism produces barbarism.
A Company agent who became a brutal god-figure at the Inner Station. Once cultured and idealistic, he descended into savagery, proving that European civilization is fragile performance easily abandoned.
When Kurtz's fiancée asks his last words, Marlow says 'your name' instead of 'The horror!' He preserves her illusions about Kurtz and civilization—showing truth about colonialism cannot be communicated to Europe.
Controversial debate. Conrad critiques imperialism powerfully but represents Africa as 'dark' and Africans as voiceless. Chinua Achebe argued this perpetuates racism. The novel is both anti-imperialist and problematically racist.
Conrad's characters represent different responses to imperialism: Marlow (disillusioned observer), Kurtz (civilization's collapse), the Manager (colonial incompetence), and the Intended (European innocence/delusion).
The steamboat captain who journeys up the Congo River to find Kurtz. His voyage reveals imperialism's horror and transforms his understanding of civilization and savagery.
Read full analysis →The Company agent who became a brutal god-figure. Once civilized and cultured, he descended into barbarism, proving civilization is fragile performance. His last words: 'The horror! The horror!'
Read full analysis →Kurtz's fiancée who believes in his nobility and the civilizing mission. Marlow lies to her, preserving her illusions—showing Europe's ignorance of colonial reality.
Read full analysis →Conrad exposes European imperialism as brutal exploitation disguised as civilization. The 'civilizing mission' is revealed as hypocritical lie masking resource extraction through violence. Colonialism produces the barbarism it claims to prevent.
Conrad inverts the binary: 'civilized' Europeans demonstrate brutality while colonized Africans show restraint and skill. Kurtz proves civilization is fragile performance requiring constant effort, not inherent European quality.
The 'heart of darkness' operates on multiple levels: moral corruption, psychological unknowability, and the horror beneath civilization's surface. Remove restraints and any human can become Kurtz.
Heart of Darkness is one of literature's most influential and controversial works. Conrad's critique of imperialism influenced anti-colonial movements, while his narrative techniques shaped modernist fiction. The novel remains essential for understanding both colonialism's violence and literature's complicity in colonial representation.
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Deep dive into Marlow, Kurtz, the Intended, and all characters.
Read more →Explore imperialism, darkness imagery, civilization vs savagery, and Conrad's critique.
Read more →Complete breakdown of the journey from Thames to Congo to Inner Station.
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Start studying →Learn about the Polish-born author who wrote in English as his third language and exposed colonial brutality.
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